This text was obtained via automated optical character recognition.
It has not been edited and may therefore contain several errors.

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ZAJsjZIi^J fy iX^iXi t^jy j/^Y.
The Pirate House	/	/3-00$
Judging by the photos in the Lobrano House collection, the Pirate House had to be one of the most imposing - as well as one of the most beautiful - structures on the Hancock County coast. It must have been designed and built by craftsmen of more than ordinary talents, for it was at once large, strong, and handsome.
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Regrettably, Hurricane Camille demolished the Pirate House in 1969, even though it had survived many storms over the years. If it had not been destroyed, perhaps even now there might be a clue to be discovered that would alleviate some of the mystery that lingers in the legends.
And mystery there is. When was it built and by whom? Was it a transfer point of contraband slaves? Did the noted pirate, Jean Lafitte, have some connection to the house, perhaps even by way of ownership? Was it really possible to have a tunnel from the house to a sandbar, allowing for the discreet disembarking of “black ivory,” as the legend forcefully tells?
The WPA report of 1938 states that the “Pirate’s House [was} built in 1802 by a New Orleans business man who is alleged to have been the overlord of the Gulf Coast pirates.
At one time, the legend says, a secret tunnel led from the house to the waterfront....The house is a perfect example of the Louisiana planter type, with a brick ground story and an outside stairway leading to the first floor. The outer walls are covered with white stucco; square, white frame columns support the gallery, which runs the length of the house. The three dormer windows on the front are beautifully proportioned, and the iron grill work forming the banisters is reminiscent of that in the French Quarter in New Orleans.”
Other than the above, not a great deal is recorded in our library to authenticate the stories of the Pirate House. The file in the Lobrano House is indeed a very thin file. While much of what is said has been passed down orally through generations, it should be recognized that legends - even those that may seem far-fetched - usually have some basis in fact.
Consider for example the story of the tunnel. Even with modem technology and equipment, the construction of a tunnel out to open water would be a challenging endeavor. But the Pirate House stood next to a small bayou and pond. (This is described nicely in Paul LaViolette’s book, Waiting for the IVhite Pelicans, as Lister’s pond.) These are natural formations, and in fact are shown in several of the earliest maps of the area, found in Deed Book A in the Courthouse, and called the Francis E. Fremaux tract.
Why is this possibly significant? It does not take much imagination to picture the little bayou and the pond to have been shrouded by trees and brush in the early 1800’s.
Certainly, the site would have been very secluded in those days, and small boats could wrH-have gone into that pond to secretly unload contraband cargo. Could the description as told and retold over the years have been modified to be thought of as a tunnel? There is no hard evidence for this, but it seems right to postulate that the house was built next to the pond and bayou for a reason.